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But despite that he's promoting underwear, Nelly never actually appears without his pants. The furor over the ad campaign featuring Marky Mark grabbing his crotch was a result of his incarnation of black hip-hop gestures through a white, boyish innocence. And like Weber, he had a white gay sensibility that glorified the aesthetics of conventional hypermasculinity and emotionally distant subjects. He grabs himself in a style and gesture associated with rap and hip-hop cultures and looks aggressively beyond — almost through — the camera. In a way, he is countering his objectification with a look that critic Richard Dyer calls the castrating gaze. Lang and Cindy Crawford Vanity Fair cover. The ads also managed to incorporate black masculinity by plucking black bodies from one of the few arenas where they were publicly prized: sports.

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